Film: " Shanghai"; Cast: Prosenjeet Chatterjee, Abhay Deol, Emraan
Hashmi, Kalki Koechlin, Supriya Pathak and Farooque Shaikh; Director:
Dibakar Banerjee; Rating: *** 1/2Watching "
Shanghai" is
revisiting your daily local newspaper, full of scams, conspiracies and
crime stories. In short, the film is a slice of today's India.
Adapted
from "Z", a 1966 novel by Vassilis Vassilikos,
Dibakar Banerjeer
brilliantly exposes the reality behind the irony of India Shining.
The scenes are verbatim daily newspaper briefs.
Set
in present day nondescript shanty called Bharatnagar, it sees Dr.
Ahmedi (
Prosenjeet Chatterjee), a US-based professor and activist,
visiting Bharatnagar to enlighten its inhabitants about 'pragati'
(progress).
He opposes the transformation of the shanty town
into a zany township, a la
Shanghai. But he is murdered by the
opposition who try to pass off his death as an accident.
After
that the story moves ahead with Shalini Sahay (
Kalki Koechlin), Ahmedi's
besotted student and daughter of an ex-army general who is involved in a
scam, IAS Officer T.A. Krishnan (
Abhay Deol), videographer Joginder
Parmar (
Emraan Hashmi), Ahmedia's wife Aruna (Tillotama Shome), chief
minister (Supriya Patak) and her PA (Farooque Sheikh).
While the film grips you, it's the system that gets to you.
"Why did you do commit the murder, when you knew it is wrong," Shalini asks the murderer.
Another
dialogue - "Jeene se haraam lagta hai. Par marne se darr bhi lagta
hai..." clearly shows the hunger for survival. It's a sorry state of
affairs, where the common denominator is the victim.
There is a simplistic nature to the narrative and archetype.
The
performance of every character is realistic and matter-of-fact. Emraan
impresses with his rustic portrayal, quite different from his usual
flamboyant characters.
Abhay Deol, as the IAS Officer, bowls over the
audience with his grit and, of course, unmistakable Tamil accent. Kalki
slips effortlessly into the character, yet again, revealing her
versatility.
However, what you take home is not the memories of a character well-performed, but the story.
The film is frighteningly true.
The
strength of "
Shanghai" is its tight screenplay by Urmi Juvekar and
Dibakar Banerjee and the meticulous details leave no scope for
arguments.
What adds to the flavour is excellent cinematography
by Nikos Andritsakis and the marvellous use of sound, both ambient and
otherwise, to build up the tension in the political drama.
The
controversial song "Bharat Mata Ki Jai" and the item number "Imported
Kamariyaa" are well-picturised and the latter is on the way to become
the next favourite numbers at all 'basti' celebrations.
Despite
its simplistic and down-to-earth locations, "
Shanghai" has a nice
hard-boiled vibe and a sense of semi-exotic danger. Definitely gives you
a lot to ponder about.
Don't miss this one.
© IANS